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Come Scattare Ottime Foto

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How to Take Awesome Photos, Practice Your Technique: crwdns2935265:00crwdnd2935265:01crwdnd2935265:02crwdne2935265:0 How to Take Awesome Photos, Practice Your Technique: crwdns2935265:00crwdnd2935265:02crwdnd2935265:02crwdne2935265:0
Practice Your Technique

  • Use your hands/tools in each shot to demonstrate the action being performed.

  • Shoot in a first-person perspective. Try to set up each shot so that it matches what your readers will see.

  • This first image isn't necessarily bad; the photo is well-lit, free of clutter, and the required action is clear—but the image is not from the reader's perspective.

  • The second image does all of that equally well, and also matches what the reader is likely to see.

Prove Tecniche di Fotografia

In ogni foto, fai vedere le mani e gli strumenti che usi per illustrare l'azione da eseguire.

Inquadra dalla tua stessa prospettiva. Cerca di realizzare ogni foto dal punto di vista del lettore quando eseguirà l'operazione.

La prima immagine non è poi tanto male: la foto è ben illuminata, non c'è confusione e l'azione richiesta è evidente. L'immagine, però, non è ripresa dalla prospettiva dell'utente.

La seconda immagine ha le stesse qualità della precedente e inoltre è ripresa dalla prospettiva di chi esegue l'azione.

[title] Practice Your Technique
[* black] ***Use your hands/tools in each shot*** to demonstrate the action being performed.
[* black] ***Shoot in a first-person perspective.*** Try to set up each shot so that it matches what your readers will see.
- [* black] This first image isn't necessarily bad; the photo is well-lit, free of clutter, and the required action is clear—but the image isn't from the user's perspective.
- [* black] The second image does all of that equally well, and also matches what the reader is likely to see.
+ [* black] This ***first ***image isn't necessarily bad; the photo is well-lit, free of clutter, and the required action is clear—but the image is not from the reader's perspective.
+ [* black] The ***second ***image does all of that equally well, and also matches what the reader is likely to see.

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