crwdns2933423:0crwdne2933423:0

crwdns2933805:0crwdne2933805:0

crwdns2933797:0Nickcrwdnd2933797:0crwdne2933797:0

crwdns2936043:0crwdne2936043:0 crwdns2933505:0crwdne2933505:0 Nick

crwdns2933769:0crwdne2933769:0
crwdns2933771:0crwdne2933771:0
crwdns2933801:0crwdne2933801:0

crwdns2933807:0crwdne2933807:0

[title] Picking LED bulbs
-[* icon_caution] ***For color temperature try and stay in the 5000-5500k (>90+ CRI) range as these are more beginner friendly. Other color temperatures like 6500k often require additional WB correction or a custom WB setting. For bulbs with poor CRI ratings (>80+CRI), setting this regardless of temperature is strongly recommended as a countermeasure.***
-[* red] ***CFL (AVOID): Avoid using CFLs, even if you get 5000k bulbs on clearance. They are not as bright as LEDs and harder to dispose of (reason: mercury). They are also prone to more early failures due to cheap ballasts and heat failures.***
+[* icon_caution] ***For color temperature try and stay in the 5000-5500k (>90+ CRI) range as these are more beginner-friendly; 6000-6500k bulbs often require heavier WB correction or a custom WB setting. For >80+CRI bulbs, setting a custom WB can offset the poor light quality quite a bit.***
+[* red] ***CFL (AVOID): Avoid using CFLs, even if you get them on clearance. They are not as bright as LEDs and harder to dispose of (reason: mercury). They are also prone to early failure when the ballast fails due to cheap parts and heat.***
[* orange] ***BR30/40:*** These produce a focused beam of light which can result in better photos compared to omnidirectional bulbs (must be set in a specific direction).
[* yellow] ***A19 bulbs:*** While these work the light can be somewhat unbalanced or scattered without redirection. ***You must use a minimum of 100W for good photo lighting.***
[* green] ***Multi-panel workshop lighting:*** These produce significantly more light than floodlights, but can only be used where weight is not an issue, and well spaced to avoid overexposure.
[* icon_caution] ***IN THE EVENT YOUR CAMERA HAS OVEREXPOSURE ISSUES, the best way to compensate for this is to adjust the on-camera exposure comp to -0.5, up to -1.0 if needed. If this is not enough edit the rest out in post.***